The Los Angeles Times from Los Angeles, California • 67

Mfe'Tfa i ywwwf' yvaNiiir- jMi 2.0iSlnttt2fCtmtfi New Plays Will Bow on Stages BY CECIL SMITH Tlmii Staff Wrlttf. eludes Christopher Cary, whom you may remember from'Behan's "The Hostage" at the Biltmore last year. May Attraction Five Steve Allen short stories woven into a study of a metropolis by the use of a balladeer will be the second of Pasadena Playhouse's new offerings, opening March 11. It's called "Ballad of a City" and was adapted from th Allen stories by John B. MacDonald.

The third Playhouse premiere will be Henry Greenberg's "People Need People," in May. This is the stage version of the justly celebrated television play dramatizing work in the men naval hospital, which starred Lee Marvin and Arthur Kennedy. The play, was later staged at San Quentin Prison but this da its first stage performance without a captive au dience. Meanwhile, Sammy Lewis says he will product ah original musical at Me-lodyland next year and James Doolittle and his Greek Theater Association staff are reading new plays for a possible Huntington Hartford production. Silent Film Bill Harold Lloyd, Laurel and Hardy, Charlie Chap-lin, Jean, Harlow and Edgar Kennedy; are featured in the program at the Silent Movie Theater, 'i New plays on local stages have been rarities In recent years, even Broadway tryouts.

But there seems to be a number of maiden efforts around at the moment. In addition to Ray Bradbury's monumental theatrical effort and Frank Silvera's productions of "Blood Knot" and "The Amen Corner" (which celebrates its first birthday March 4), there's a new musical hopefully headed for Broadway and three new plays taking their Initial bows. The plays will all be at Pasadena Playhouse for brief engagements, beginning tonight with the opening of Oscar Mandell's Francesca Paolo drama, "Dance to No Music," which Is in for a lO-day stand. Dr. Mandell is a 38- year-old associate professor of English at Caltech, specializing in drama and the author of tw6 books in the field.

A reading of his fables was given at the Playhouse last week. 'Money' to Travel The Broadway bound musical, which ds scheduled-to open 'in New York's Cort Theater next September, is a satirical show called "Money" that begins a six-week run at the Warner (formerly Civic) Playhouse on La Cie-nega next Tuesday. The book is by Tom Whedon and David Axelrod with music by Sam Pottle, all veterans of the famed Julius Monk revues at Upstairs at the Downstairs and the Plaza Hotel in New York. The cast in- 'HARVEY' Continued from 10th Pag "leaning against a lamp post. "Harvey" comes from a more innocent age- before the theatrical discovery of the sex comedy.

Violet Carlson does her dotty best as Veta Louise Simmons but she is no Spring Bylngton and Paulle Clark fights a losing battle with an vable get-up as the daughter. Myrtle Mae is no Miss America but making her look like Katisha in "The Mikado" 'i3 fairly wide of the mark. Others," hard workers all, are Sara Tift as Aunt Ethel, Kelton Garwood who corners some obvious laughs as a cretin orderly, Pearl Shear as Mrs. Chum-ley and Bob Osborne and William A. Forester as doctors at the sanitarium.

Joseph Coffey and John Barclay, very good as the judge, complete the cast. HEUE AND NOV STAGE "DANCE TO NO MUSIC," Pasadena Playhouse, 8:30. MUSIC LOS ANGELES PHILHAR-; MONIC Hans Swarowsky conducting. The Pavilion of The Music Center, 8:30. Also tal ward of the Oakland 36 Hours! Thriller About Daring Hoax Nippon's 'Woman in Dunns' Hauntingly Different Film BY PHILIP K.

SCHEUER. Tlmi Mellon Picture Editor It is called "36 Hours" for the elapsing time during which it takes place, but it is also about six missing years from May 30, 1944, the eve of the Allies' Nor-jnandy invasion, to what seems to be 1950. The man who has lost the years is Maj. Jefferson Pike of U.S. Intelligence.

Fully briefed on D-Day he flies to Lisbon confirm a spy's report that the Nazi high command expects the attempted landing to be made at Pas de Calais. While there the major suffers a sudden blackout. He comes to in a U.S. military hospital of the Allied Occupation Forces in Germany, just over the Swiss border. Staff, equipment and patients are Gl-slamped.

He is told that his blackout amnesia lasted six years. His skin has whitened and his hair is streaked with gray. In a cop1 of the Stars and Stripes he reads that President Roosevelt has been succeeded by Henry Wallace. The young German woman who is his nurse, he learns, is also his wife; she is wearing his mother's ring. And his closest friend, is the medical major Walter Gerber, stationed there.

Greatly shaken but gradually convinced, Pike is led easily into a discussion of the Normandy invasion. And then, through a tiny slip of fate, he discovers the actual date June 2, 194.4. The audience is in on the hoax from the beginning, so I am not divulging too much. Up to this point the picture is tinglingly suspenseful: it 1 suspenseful afterward, too, but with so many contrivances of melodrama, in the old-fashioned Hitchcock manner, that it ends up having more twists than a German pretzel. Yet even though it may become too clever for its own good or at least for credibility's sake it is still the stuff of movies.

One ironic complication and it's not too implausible at that occurs when a squarehead of a Gestapo agent, informed by Gerber that Normandy is the beach to watch, believes that Pike and maybe Gerber are hoaxing HIM. James Garner(s, for him especially convincing in his awakening from his doubts and suspicions, and Rod Taylor walks a skillful line between the Ger (incite ll NATIONAL 8ENERAL CORPORATION CALL THEATRE or CR. 4-0411 BR, 2-9281 GLYNIS 0 HNS play mother of a mathematical prodigy in film comedy "Dear Brigitte," ihowing today in a citywide run. CONCERT Continued from 10th Paf curately, and his way of bowing is steady and strong. He has' also learned to deal with dynamics, to inflect the sound with color, and to handle the music with poised detachment---, there were no struggles.

If some dimensions of playing that come with experience were not there, yet, Mr. Dicterow nevertheless hinted at them. His best effort was the Ysaye Sonata, partly because it is kulOCKr ii a i II i xiYooiiHO.iili?i wv nrymroioir laiiluiuil DMaOMall-li MJ.tiJI nomo de Sim tLonam IroxIflifsKlrelV arull. I Mastroianni' iiitr -m. m.m,t.

"SUPERMARKET" laCilw. 2c RODGERS HAMMERSTEIfTS AN MUNI MHiAr LCACUtANNIS PRODUCTION nlci VUII1I1 IHH.Tl WIWI.UEJI ALAN BATES AHKlUUCrkteMMMlMMTAnaN Ut. 2'lJJU WIN tl CAItV li. IDS I 100 IAT. 4 SUM.

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i mib raiwii MS 24(21 BmeiwWH XZiTTTlr' wnaanaWMniM I Joy for all YV3B7 -A SEVENTEEN Cph Dally 7 pm Sun. 2:15 pm grateful (it "was written by a violinist for violinists), partly because it compact and did not overex-tend the soloist's present powers, and partly because it does not require an expressiveness still be 6f2 808? --C 1 TC, if "'Si 1 HOtlYWOOD.Xl I I tOSOHSEttt I III RFV 2 Walt Diiniy Hittt i A CHINESE yond him. Sean Conniry In GOLDFINGER Oa. HO 4-81 1 1 1517 WIIII1IM vmuiMK we i-noi IIvm of Thomasim FAIRFAX Dauis-daHavilland, Hush, "7 Bl. Hush Sweet Charlottii Una BANG-UP ENTERTAINMENT HOLLYWOODJ1.1 BRIGITTE; D.

Reynolds, ho 3-9371 Second Timi Around WE 9-31 IS 4:45 YOUngOIOOd H8WKS OPEN ALL NIGHT UNTIL A.M. DAILY WH 'THRILLS' S'LAUGHS HIGHLAND iter sellers' Hits!" 5604 N. Fi A SHOT IN THE DARK CL S-964S 6:45 Thi Pink Panther 2 Walt Disney Hits! 508 Hlvwd. Bl. THOSE CALLOWAYS HO 3-2184 12:30 3 Lives of Thomaslnt Walt DisneyjU ttOUamWOTIMI tunion MESTUPlrf 1:08) 5:42 i76 HollvwMd 10:30 PM PW HttHMYKim cucaCtT-Dailf wilshire s44.wi.4hir.

MARRIAGE, aLiw ITALIAN STYLE fine arts Zorfaa tha Greek I 1 MU FERMAMDO AlUT FOX-N'RIDGE MARY POPPINS na. at Davon. 11:30. 0II-74'B 12; 2:30: 10 PM Meil nJ I I aw DIM Wllihin 8:00 10:20 PI 0L J-1330 8rl STUDIO Cm WStewarWEAR1 Richard ittMrvsfflassELEAN0R PARKER ti- izizz HW I trim I a. ROBERT VISE I RICHARD RODCERS I OSCAR HAMMERSTEIN II I ERNEST LEHMAN ota 7M Oa.

r4r nojnvpuf Second Time Around rTMBTaT 2 Walt Bisnev Kim Stanley in SEANCE ON A WET AFTERNOON; Extra! 'IE C0QIJE' in clr, Jas. Gerner-Eia Maria Saint. Thirty Six Hours Quick Bifon It Melts Hellvwaad THOSE CALLOWAYS 8507 W. He 852-ana7 Put VILLAGE Weatwood BR 3-3042 8:48 rj WEST COAST PKDIBEItE, Wtdtursday. Mar.10,1965, 8:30 tenafit Amtrtcaw Canctr SgckrtyTl 7S9.404I 3 Lives of Thomasim GUILD i Peter Sellers rlltsf Mercouri-Ustinov Lankarihlra 5MOr IN JHt MKH Julie Dick Andrews "Van Dyke BRUIN PO 2-2272 6 :4 a ins rinn raniner FOX wrKim MTKS mw sun tm tit inn ilshlreJi WtLOWNI tVFKIW WTOCF SOU OUT MAKH 10,11, 12, 13, 14, 17, Jl TICKETS AVAILABLE FOR ALL MATINEES LA RKINA MlbV PMPM' Schill In TOPKAPli That Man From Bio James Stewart, DEAR BRIGITTE; 0.

Reynolds, Second Timi Around Westwond an CULVER- Smeki VE 1-3124 Sh.rminO.kl TECHNICOLOR ol. a.eui It I1M14T anauMnA-aA a 11:30, ST 1-8311 1Z; 5 10 riw VJOnLD TtcilMICouJff STEREOPHONIC SOUND For Van 7S9-R4 Van 79-0449 Nuya James Stewart, DEAR BRIGITTE; D. Reynolds. Second Timi Around Jas. Garner-Eva Marii i tttDU T1 It's the funniest picture of the IN 12 THEATRES IN THE GREATER L.

A. AREAl CaTRI" NOW Saint. 36 HOURS: 6258 Van Nuyt ST 5-3919 5,:,. MARY POPPINS CHI-IS25 13 10 PU Quick Before It Melts ORPHEUM, Downtown man he is and the Yank he pretends to be. Eva Marie Saint's role of the tattooed victim of concentration camps seems to have been built up principally because ahe is of star stature (like Sophia Loren in "Marriage-Italian Style," she has forgotten how to cry until).

Cast broadly as Germans are Werner. Peters, John Banner and Sig Ruman. George Seaton's direction of his own screenplay is deliberate but full of savvy, with William Perlberg producing the MGM picture. Dimitri Tiomkin's music is exceptionally, unobtrusive and fitting. "36 Hours" has been booked in multiple runs.

'Woman in the Dunes' Review Too darkly photographed ever to be a smash on the late late show, "Woman in the Dunes," now at the Cinema, is nevertheless a must for all serious devotees of filmic art. It is a masterpiece from Japan, as enigmatic as it is provocative, as detailed as it is demanding of patience, yet One of those experiences that are not readily shaken off afterward. This is all the more remarkable when you consider that it is played virtually in its entirety, inside and outside the confines of a wooden hovel in a sand pit, by the woman (Eiji Okada) and the man (Kyoko Kishida) who finds himself living with her as er "helper." As directed by Hiroshi Teshigahara, this study of the human condition is a kind of parable, at once ultra-realistic and yet a fairy tale. The camerawork and in-shooting are extraordinarily tactile, so that one almost feels with the five senses. My interpretation is that the man, a young schoolteacher whose hobby is collecting in-.

sects, is unconsciously trying to escape from a card-punching civilization. Yet forced to remain in the pit, he tises every means to escape from IT, from the endless drudgery of sweeping away the piling sand on the floor you clearing sand to live or living to clear sand?" hk once demands furiously of the But in the process he makes a scientific discovery and with it a for being, and when at last the opportunity to climb out arrives he tells himself, "There's no need to jun away yet at least till I tell somebody about my water reservoir." Depressing. Of course. But even here are humor and the brief, grateful nepenthe of the man-woman relationship, the touch of bodies that relieves the loneliness of the mind. The two players convey all this superbly the woman simple, stoical yet submissive; the man at first, desperate and rebellious, then gradually finding in resignation a solace and even pride.

LENDALE lmtt Stewart. DEAR C0NEJ0 VILLAGE THOUSAND OAKS TONIG FOX, Northndra o. 6:45 Dirmii it; Keynoios, CH S-26H Serond Timi Around 8:30 LA KEINA. ShomuiDiU PflNFIfl Frank Sinatra In rmaTjt.a.mrA ALEX, Glmdili LOYOLA, WutchwUr 0. 6:45 NONE BUT THE BRAVti 4ss-7ona Secret Invasion CR8T, Long DMCA iVii MARY POPPINS L.J SAHTMONICJinMlEt Fl ACADEMY Onen 11:30 mu l.ajni ACADEMY, Fiudcna FOX.

Fullertoa IrfxZ 1 mA 12; 5 10 PM iMoffici nwropm 10 i.m. to I f.m. Suh.iU2Nmh EVENINGS AT I tun. 1:00 pm)- MATS. 2:00 Sm W.d.

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Reynolds, F. Sinatra-T. Sands, NONE BUT THE BRAVTi Ready for thi People James Stewart, DEAR BRIGITTE; D. Reynolds, Second Time Around 2 Walt Disney Hits! THOSE CALLOWAYS A 3 lives of Thomaslnt your nurtit iscitiM ISO. Ptiadtna HOW WEST WAS WON; Fred Krfilmar Showtimts at all theatrit (axe.

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Slnatri-T. Snda; Pomona Of. 1:45 "ONE BUT THE BRAVEi 714.622-1353 Ready For The Paopif MT BALDY J- Stewart-D. Reynolds, DR IM Lavarna HOW WEST WAS WON: COMPTON 5TH AVE. Jam" Stewart, dear VWTA HOHKA Lmamwui euivt city 5th-Maneh7 BRIGITTE; Reynolds, COHPTON WEIT LA.

OLYMPIC NIVI-M Ct 7-9117 RIO TORKANCC TORRANCE NIHW H9-M91 hunt: mm PARK IU 7-3442 i 8-i'iNfi secona nmi Arouna WILSH1RE 5-6995 CULVER Vt 8-312 LV 3-4931 Lewis, Disorderly Orderly atinM hi 11557 HNfiLEWflOfl fiurlon-P: IPinrilV Urif STOP and guest invited to any performance, lUAULlTlI please present Academy Card. Rodgers-Hammarstein't san lAamtL1 lop. becket; jack Limmon JS78-9S2? in Good Neighbor Sam nm.rlollS-is SOUTH PACIFIC SAN CABRICLj nci inuraii iv ITUDIO cm STUDIO CITY 769-4441 VAN NUVt VICTORY iiirt-m 7423 MOUtTX YINELANO Miw-m 0 6-7518 UNMIX GLEN DALE CH 5-2815 COVIN COVIN Vt 2-2001 KANNUYt FOX 785-0443 9B4-224II CAROUSEL, In Color Village JiJmu Claramont Festival! MACBETH NA 4-2612 lt 9:3 Min.M CU3-SI1I I 1 WESTCHISTEt ULLIUnirULLI I T. 550? MONTI.n.10 Wbff MARY POPPINS fsp I.I4I0 Pk. 12; 2:30: 10 PM I 0RM6E C0UWTY WHITTIER nn.m UMANK CORNELL TH 2-5251 rv STH AVE IKEOA R.

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Reynolds, fl LONB BEACH SEAL BEACH I A Family Youll Never Forget! Manhattsn HOW WEST WAS WON; fr 2-asorj Tattooed Police Horse i if WEST COAST he 8-42f lives of Thomaainajl PALOS VERDES i WAIT DISNEY presents 11:30 Part FOX -4S' tJSrBt Stewart, DEAR Panintula Ca'nttr BRIGITTE; 0. Reynolds, fr 7-773 Ptrk Second Time Around OA 4-ISH 12; 5: 10 PM James Stewart, DEARi BRIGITTE; D. Reynolds, Second Timi Around Ooan Metro Goiowym Mauk Tescnu Mariin Ransohofi Froductiom 7" BEST PICTURE BEST ACTOR HE 6-iOnl MUT1TSJ PJUtX lOL-COtlPTCM JAMES 1MPFRIAL Jmes Stewart, DEAR, Garner 'Andrews Douglas Opan 12:00 REX HARRISON HE -337S Second 'Timi Around Sellers Hltsi'l CALIFORNIA Cant. 12 Sffltka NONE BUT THE BRAVE lu 7-51 1 1 Ready for thi Paopli nin nmnnirnniTHTinn TONIGHT AT 8:30 P.M. TECHNICOLDFT I 6-l Bi Batch SHOT IN THE DARK ki Thi Pink Panthar ti PARK Jsmes Stewart, DtAR Oa.

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MOLLVWCOO I ijH-tn, Fr Tha.tr. Par (711 HOLLYWOOD ILVD. HO. 7-S167 1 Oru Intorn.Uwi C.H Ha. 6 none'butVheravej 543.1121 Ready for the Peop'g I Mircourl -Ustinov-Schell in T0PKAPI; REDLANDS Opan FBflrjiiGirJATni im rit irro TI SAKKDH I I That Man From Rio PY 3-4331 VlilAli liAUiU.A'AVi,i..IA BAiliVtl BANNING Davis-deHavilland, Hush, I ii Hush.

Sweet Charlotte: CTRilSin James Stewart, DEAW BRIGITTE; 0. RtynolAa I vi 1-3714 Jane Fonda In Joy Housi 1 Lf TE 2-2681 :4 secono lime Arouna 1 "SLICK, STYLISH, WHOOPINGLY Slapstick film of surprising fun, as a wink." -UfMiguint BRAD DEXTER -TONY BILL- SAMMY JACKSON TATSUYA MIHASHI -TAKESHI KATO KATSLTtA SUSAW REX HARRISON WENDY HILLER DEBORAH KERR "SUBTLE ADULT HUMOR." .1 TuauCurti: SE0RGI ILRNARD SHAM PLUS RICHARD BURTON A TRIBUTE TO DYIAM THOMAS HOW PLAYIHS! UVKIH.Y HH Ui 1 CsW Ipsue HcnrjjFcr. icarcn tJi'M 9 T.Tel Ferrer 1 m-WMMn kavt RUTHERFORD ft sl 9 arla SfTX I 1 pi rmhti wTtuRN wwmb NOW PLAYING! TtfU ai'giat, ary "JD jSASa Vtnot WM t-43i tMT2lw wta nuNrmTON oiTnni.o umiunM cutyfucrrr erw mu.im; tx. miii iu. 7 sm jut pi 2ii tx.

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T'radsiG kit:" 2 "Th mvm tvm sat (PM 11 MM PMtur It 1M. I ftfh BIG WEEK Qth fMfttp BEVERLY Theatre H'" WEEK! iMevinrlf "ZSiVXi 7 7i Santa Mon8iv. OL 4-5744 MATS. CONT. ON.TM.

Fl. le.M. SAT. NO SUM. 1PM.

GIRL CHASERS" oui'j our 1 iniiiiMm.